Marlowe, Edward II, and the Cult of Elizabeth Essay Example For Students

Marlowe, Edward II, and the Cult of Elizabeth Essay Introduction I recognise my title may appear an archaic reversion to the critical discourse of the later 1980quot;s: after all, Edward II is one of a select group of Elizabethan literary performances that has so far failed to arouse much critical interest in such terms. This state of affairs is surprising for several reasons. There was, for instance, a strong and continuing Elizabethan and Jacobean curiosity about the reign of Edward II and the years immediately following his death I have in mind the writings of Heywood, Jonson, and, above all, Michael Drayton, not to mention the important account of Edwardquot;s Queen, Isabel of France, in Foxequot;s Actes and Monumentes, and Elizabeth Careyquot;s Edward II. On the other hand, the playquot;s relative neglect is understandable. Like Shakespearequot;s Lovequot;s Labourquot;s Lost or King John, for example, Edward II represents power relations in ways that may seem, at first sight, to be unassimilable to some contemporary interpretive procedures, or at least inconsistent with some venerable and resilient assumptions. We have only to recall the very powerlessness of the rulers depicted in these plays, together with the scrutiny and questioning to which their words are routinely subjected by other speakers. Claude Summers has located the playquot;s heterodoxy in its refusal to subscribe to a comforting Tudor political myth: in the words of Marlowequot;s Edward Am I a king and must be overruled? 1. 1. 134. An important element in the context of Edward II is the widespread 1590quot;s interest in Mortimer and in the Baronsquot; Wars, but I do not wish to elaborate on this phenomenon; rather, I seek to relate Edward II to the cult of Elizabeth, suggesting that it participates fully in the discursive procedures that surrounded the Tudor monarchy. Let me state my argument at its starkest: I propose that in Marlowequot;s play the image of the king may be construed as a negative exemplum, being defined negatively in terms of the well established cult of Queen Elizabeth. Similarly, Shakespearequot;s King Lear establishes a pointed contrast between the assiduously promoted public image of King James as judge, patriarch and unifier of the kingdoms of Britain, and Shakespearequot;s depiction of Lear, the last ruler of the whole island, as one who judges foolishly, fragments his family and carves up his realm. Like the world of Lear, that of Edward II is constructed as an admonitory negative example for the present. Moreover, the parallels extend beyond the age to the more specific question of the ruler as an individual, and that, of course, was a question that could hardly be considered or even imagined outside the terms of reference of Elizabethquot;s cult. Allow me to cite another negative example. In Shakespearequot;s Twelfth Night a text which operates, as Marlowequot;s does, through gender reversal, Orsino seems designed almost as an anthology of many of the personal inadequacies that might hamstring a ruler. More specifically, his failings are those conventionally associated in Tudor misogynist discourse with a female ruler. He is, as women were held to be by such writers, changeable, governed by his moods and passions. And he falls in love with one of his followers, who thereby becomes specially favoured among his entourage, consequently threatening the political system and the delicate balance of relationships among his subjects. He is therefore, like Edward II, the antithesis of Queen Elizabeth: it is against the ideal of the ruler as enshrined in her cult that he is judged and found wanting. Culture of the Early 1590quot;s By the early 1590quot;s, Elizabeth might have been forgiven for thinking that such issues had been thoroughly ventilated a generation before, at the time of her accession and in the question of her marriage. But one of the features of the Elizabethan settlement was that nothing was ever finally settled: there was always room for renegotiation, revaluation, changes of emphasis. Alan Sinfield has argued for an understanding of the Elizabethan state not as a static totality whose power structure is revealed in the ideology of monarchy, but as diverse and changing, a site of profound contradictions. Certainly, it was a site of conflicts, checks and balances, not just between the aristocracy and an emergent, upwardly mobile middling sort, but also between groups within the nobility. Elizabeth had evolved a strategy for dealing with the competitive pack of nobles who served her: Sir Robert Naunton observed that The principal note of her reign will be, that she ruled much by faction and parties, which she herself both made, upheld, and weakened, as her own great judgement advised he commented that we find no Gaveston, Vere, or Spencer to have swayed alone during forty-four years. Elizabethquot;s cult had a purpose: its central image of singleness and immutability the Queenquot;s motto was Semper eadem, always the same was constructed in response to threats of fracture, disruption, and rebellion. And its most extreme manifestations in the 1590quot;s imply profound anxieties both about the current political climate and about the unknowable almost literally unthinkable future that would unfold after Glorianaquot;s death. Marlowe constantly nudges the spectator to find contemporary parallels. Thus, although the historical Edward had been in his early forties at his death, Marlowe explicitly makes him an old man he is aged at 5. 2. 118, Old Edward at 5. 2. 23, and is compared to an old wolf at 5. 2. 7. The world of the play is that of the money economy, in which the crownquot;s finances were under increasing strain. It is a site of conflict between an old aristocracy and a new one. It is a world like that of the 1590quot;s, in which financing wars in France empties the treasury coffers. Leah Marcus has recently shown how Shakespearequot;s Joan La Pucelle in 1 Henry VI is presented as part of critique of the Queenquot;s hesitations in foreign polity, and there is a similar contemporary implication in the depiction of Edwardquot;s failure to meet his financial obligations. By 1592, there was a disruptive influx of deserters from the French wars, some of whom were reported as using most slanderous speeches of . . . er Highness: in the following year, these wretched men crowded round the Queen and petitioned her at every opportunity: a contemporary wrote, The Queen is troubled wherever she takes the air with these miserable creatures. Leicester had died in 1588, Walsingham in 1590, and Burghley was not in good health. It was clear that the Queen would have to listen to the voices of the younger generation, and that the question of the succession would lie beneath her dealings with them, just as the question of marriage had informed her relations with the older generation at the time of her accession. So the controversies and tensions of the 1560quot;s surfaced again a quarter of a century later, in the time of confusion and trepidation that followed the scarcely believable victory over the Spanish Armada. Courtly Performances The courtly behaviours that we see in the play are recognisably Elizabethan. To cite some relatively trivial instances, early in the second act, Edward compares himself to Danaequot;s lover, Gaveston to the shepherd seeing the first shoots of spring. Their self-presentation relates them to the fashions of Ovidian and pastoral writing in the 1590s. While earlier Mortimer had left the court like a disaffected 1590quot;s melancholic, Unto the forest . . . To live in grief and baleful discontent, For now my lord the king regards me not . . . . This represents the typical behaviour of the political exile, or disaffected lord the Earl of Essex regularly acted in this way in the 1590quot;s. Marlowequot;s Isabella likewise declares I will endure a melancholy life, And let him frolic with his minion 1. 2. 66-7. Gaveston the Elizabethan Courtier The most striking example, however, is Gaveston himself, who is figured as the quintessential Elizabethan Courtier. He is praised by Spencer, for instance, as the liberal earl of Cornwall recalling Elyotquot;s observation that liberality resteth not in the quantity or quality of things that be given, but in the natural disposition of the giver. When in the first scene of the play Gaveston anticipates the performance of his new role as royal favourite, he uses terms that explicitly echo the behaviours and discourses of royal celebration under Elizabeth. At least one Elizabethan political theorist mounted a defence of Gaveston, arguing that although he may have been personally proud, he did little harm, and was certainly not an argument against the hereditary principle. One recent critic compares the King and Gaveston at their window to courtiers on the Elizabethan stage 1. 4. 416-8. Like Essex and Leicester, Gaveston is characterised as an impresario of courtly entertainments 10. In the early scenes of the play there is a sense that the nobles are mainly moved by snobbery and that Gaveston is in his anarchic way on the crowdquot;s side against entrenched privilege. Technological development EssayHe is punctilious in his greeting to Gaveston at 2. 2. 68 Welcome master Secretary. In the space of a few dozen lines we are apprised of a Pembrokequot;s support for the crown, when Edward says Pembroke shall bear the sword before the King, and the Earl replies, And with this sword Pembroke will fight for you 1. . 352; b Pembrokequot;s support for the killing of Gaveston in his taking an oath to that effect 2. 2. 108; and c his sensitivity to popular opinion, This will be good news to the common sort 1. 4. 92. In the debate in 2. 5 where the lords consider how they should respond to the Kingquot;s request for Gavestonquot;s return, it is Pembroke who proposes a solution: Because his majesty so earnestly Desire to see the man before his death, I will upon mine honour undertake To carry him and bring him back again . . 78-81. And his disinterest is stressed: My lords, I will not over-woo your honours, But if you dare trust Pembroke with the prisoner, Upon mine oath I will return him back. 87-9 Lancaster is given words that confirm the trust reposed in Pembrokequot;s honesty I say, let him go on Pembrokequot;s word 91. Pembroke subsequently rebukes Arundel with a breach of chivalric honour in abducting Gaveston: Your lordship doth dishonour to your self / And wrong our lord, your honourable friend 3. . 9-10. Arundelquot;s narrative of these events includes a defence of Pembrokequot;s behaviour saying he said least during the debate on rebellion and then reporting that The Earl of Pembroke mildly thus bespake . . . I will this undertake, to have him hence And see him redelivered to your hands. 3. 2. 108-112 Blame is specifically not attached to Pembroke Arundel goes out of his way to identify Warwick as the dishonourable and untrustworthy villain. It is at such moments that we recall the words on the title page informing us that Marlowequot;s play had been publiquely acted by the right honorable the Earle of Pembrook his seruantes, and there are episodes when this fact is reflected in the script very crudely. So, for instance, when Warwick appears in the first moments of the third act to say: My lord of Pembrokequot;s men, / Strive you no longer 3. 1. 7- 8, the words would have had a special resonance in performance. Ambiguity Spencerquot;s advice to Baldock about how he should turn himself from a scholar into a courtier has some relevance to Marlowequot;s own situation. It is not servility that gains favour, Spencer says, You must be proud, bold, pleasant, resolute, And now and then stab as occasion serves 42-3 If we look at the important scene 2. 2 which features the devices by Mortimer and Lancaster, Mortimerquot;s device of the diseased cedar may recall the use of a tree to represent the state res publica during Elizabethquot;s entry pageant in the City of London in 1559. It is parallelled by Lylyquot;s use of the image in Sapho and Phao, but is also fairly commonplace. 18] Lancasterquot;s emblem of the flying fish that faces death whether it flies or swims is hardly more complex or ambiguous. It may well be the crudity of the images, their lack of teasing ambiguity or subtlety, that makes them unsuitable. As is now widely recognised, ambiguity was a feature of Elizabethan courtly performance. In the Arte of Rhetorique, Thomas Wilson had described how the miseries of the courtierquot;s life could be described by the use of similitudes, examples, comparisons from one thing to another, apte translacions, and heaping of allegories. And one of the most famous allegorical performances of Elizabethquot;s reign occurred at Kenilworth, where the Queen was entertained by Robert Dudley from 9 July 1575. Marlowe collapses history, reminding us of this episode when he has Leicester say to the King in the fourth act Your majesty must go to Killingworth 4. 4. 81. Dudley had collapsed history too, in a way that connects his show with Marlowequot;s play. When Elizabeth entered the castle precincts, she made her way into the newly-constructed tiltyard by passing under an edifice called Mortimerquot;s Tower. William Dugdale in his antiquities of Warwickshire reports that Leicester caused the tower to be decorated with the Arms of Mortimer . . . cut in stone. Now Leicester was clearly invoking the memory of a previous owner of Kenilworth, Roger Mortimer, who had staged a great pageant based on the idea of the round table in 1279, and his own diversions for the Queen explicitly tapped into the same Arthurian myth. But Dugdale and he cannot have been alone took the arms to be those of a different Mortimer, grandson of the above, namely our and Marlowequot;s Mortimer, the Earl of March, lover of a Queen who shared Elizabethquot;s name, and therefore, in Dugdalequot;s view, a precedent of sorts for Dudley himself. Perhaps the inscription on the tower participates in the same strategy of obliquity that Marlowequot;s Mortimer deploys with his letter to the murderers. The application of the inscription could be taken as a powerful declaration of desire, of courtship: but it could equally plausibly be glossed as an act of courtesy, as a fulsome welcome by a generous host. Like most Elizabethan treatments of political questions, Edward II is necessarily oblique, constructed like Mortimerquot;s letter or Dudleyquot;s inscription on the basis of what Annabel Patterson in Censorship and Interpretation following Pierre Bourdieu refers to as functional ambiguity. The playquot;s commentators have connected such ambiguity with its tendency to question, to qualify, to undermine. 23] They might also have connected them with Elizabethquot;s crab-wise journey towards signing the death-warrant of Mary Queen of Scots. The play seems designed to prevent comparisons from hardening into allegory, allusions from implying applications. If Edward is a negative example of Elizabeth, what are we to make of Isabella? Her very name would have had a special resonance for an Elizabethan audience, and there were many attempts in the period to analyse her behaviour, to ask if her rebellion was justified, to investigate the power-relations in her involvement with Mortimer. 24] In Marlowequot;s version, her subjection to Mortimer also constitutes a warning, and involves the danger of a Protectorate: he tells her, erect your son with all the speed we may . . . that I may be protector over him 5. 2. 11-12. The focus of the play is partly on the king himself, of course. And as such it poses a negative example, an opposite model of monarchy from the one Elizabeth was acting out. But it also investigates the predicament of those who have to live under a monarch who thwarts expectations and repudiates convention. Marlowequot;s play is an anthology of career moves for the Elizabethan courtier: the range stretches from those who are presented as honourably negotiating the conflicts of loyalty implicit in the courtierquot;s life Pembroke and Leicester through those who succumb to their pressures Warwick, Kent, Arundel to those who are fatally drawn to the centres of power, in order to literalise the metaphoric eroticism of service and duty. For Gaveston, Spencer and Mortimer, the opening allegory of Actaeon is actualised in their experience as a salutary warning to future ages. But as Debra Belt has shown, Marlowequot;s is a highly self-conscious art, in which acts of speech and of interpretation are shown to be complex and interlocking. If one version of the Elizabethan ideal in the play is the young Edward III, virginal, ruthless, and decisive, then perhaps Marlowequot;s own ambiguities are understandable. It is as if he has taken to heart Spencerquot;s advice to Baldock You must cast the scholar off / And learn to court it like a gentleman 2. 1. 31-2. Marlowe approaches Diana more obliquely than Mortimer or Gaveston; in so doing he produces in Edward II one of the most charged and subtle dramatic engagements on the public stage with the cult of Elizabeth.

The Great Music Debate Classical vs. Non-Classical free essay sample

Due to a lack of words, the actions are transfigured in emotions, With the use of notations and chords. For instance, it was believed that specific chords and keys in classical music would arouse different moods based on the sound. Beethovens 5th in C Minor, signified loss, coldness, and sorrow. However, it is the beauty within the simplicity of music that makes it that remarkably attractive and catchy. Some classical music is as immediately compelling as pop, for instance, the first bars of Beethovens Fifth being more recognizable than those of Pink Floods Hey You.But on the whole, a symphony is undeniably much more complex and demanding than any Beetles songs such as the Yellow Submarine. A good piece of music should be able to play with ones anticipation. Although, complexity may make classical music different and more intellectually interesting, it does not necessarily make it more aesthetically pleasing than pop or modern music. We will write a custom essay sample on The Great Music Debate: Classical vs. Non-Classical or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In fact, it raises the important question within musical debates of substance as opposed to pleasure to the ear.The feeling you get in your stomach or chest hen youre moved by the music you consider great, whether its Mailer or Metallic, stems from the emotion derived in heart not the head. It is obvious that pop music and modern day music does less with their harmonies and melodies than the works of great classical composers. There are imperative elements which most music must cover, whether it is classical or pop music. First one is the call and response aspect, or the opening and closure, which starts at one place and ends in a different place which puts the whole piece in a circle.Simply, it is what jazz musicians would call taking a ride in a car or a bus. Second, is the stress of dynamics and the transition because fragile soft pieces to loud and drastic elements. It is imperative is it a diverse as much as it is wide-ranging. The last is the stress of time signature and drastic transitions throughout the music with the use of different rests, pitches, and tempos. Music is not necessarily about the most complex and abstract piece of art being more appealing and celebrated than the simple melodic song, ether, music is about clear expression of emotions and actions. It is unarguable that all forms of music allow you to change your sense of time as well as the change Of the meaning Of a piece within the context Of time. The core of the genius within great music is the flawless execution of music which is simply beautiful and beautifully simple. It is not necessarily defined by complication, but the ability to create or discover marvels and phenomenon, however simple they may be, beyond the art of previously created music.

National Fellowship Competition Essay Sample

National Fellowship Competition Essay SampleA national fellowship competition can be the start of a wonderful career, or it can be the end of your dreams. To get a good idea of the difference, take a look at this National Fellowship Competition Essay Sample.These are some of the places that can give you the advantage in starting a new career and can give you the edge over your competition if you have a college degree. The National Scholarship Foundation is one such place, and they offer a host of programs for people to go to school and earn their degree.So what does a National Fellowship Competition Essay Sample consist of? Well, it depends on the competition you are writing for, but here is a basic guideline for you. Each competition has its own requirements and you will need to follow their rules as closely as possible.First, figure out the competition you are entering, but remember, many competitions have minimum requirements. If it is a local competition, most likely you will be required to have lived in the area you plan to attend college in for at least a year. Also, make sure you meet the budget that the competition has set for each competition you enter. Do not go over this budget limit, but do not go under either.Now, you need to write a winning essay. That means you need to understand the competition and then look for ways to explain your experience to the best of your ability. You may not want to use the same idea, but you may want to change the main concept from time to time. This is all up to you, but make sure you understand the competition and how it works.Next, look for key things that you should do. They might include using the correct grammar, having accurate sentence construction, using appropriate vocabulary, and having well written paragraphs. Keep these in mind as you prepare for your competition essay, because they are very important to winning the competition.These are just a few examples of what a National Fellowship Competition Essay S ample is. You are not required to go over this too much, but just to get an idea of how to start a new career, and to figure out what your competition requires. Good luck!

Free Essays on Nations Voting Procedures

The article that I chose for my current events paper came from The New York Times, on September 6, 2002. The title of the article is â€Å"Bill to Overhaul System of Voting Is Seen in Danger†. It was written by Bill Pear. â€Å"Efforts to pass a bill that would clean up the nation’s voting procedures were falling apart as Partisan disagreements grew with the approach of fall elections.† Bipartisan majorities of the House and the Senate voted for different versions of the Legislation, intended to prevent ballot disputes. Among other things, the bills would provide money to help states buy new voting machines. The version of the bill supported by Republicans would establish identification requirements for first time voters who registered by mail. Such voters would have to present a photo identification such as a Driver’s License or a Social Security card before being permitted to vote. Democrats supported a version of the bill requiring only a signature on a form at the polls. Democrats said proposed requirements by Republicans could discourage participation by blacks and Hispanic Americans. Both versions of the bill would require states to maintain computerized lists of registered voters. Also, voters would have to have a way to verify selections, change their ballots and to correct errors, and voting places must be accessible to people with disabilities. Republicans and Democrats disagree greatly over how to enforce new standards. Republicans would like the responsibility to lie solely with the Justice Department, while Democrats want individuals and civil rights groups to be able to file suits to halt violations. It is a scary thought that our government can’t agree on a simple issue such as voting. This is the kind of rhetoric that creates distrust of the government. If I go to Wal-Mart and purchase an oil change, I am handed a portable computer on which I choose the type of oil I would like, additions to the service, and I us... Free Essays on Nation's Voting Procedures Free Essays on Nation's Voting Procedures The article that I chose for my current events paper came from The New York Times, on September 6, 2002. The title of the article is â€Å"Bill to Overhaul System of Voting Is Seen in Danger†. It was written by Bill Pear. â€Å"Efforts to pass a bill that would clean up the nation’s voting procedures were falling apart as Partisan disagreements grew with the approach of fall elections.† Bipartisan majorities of the House and the Senate voted for different versions of the Legislation, intended to prevent ballot disputes. Among other things, the bills would provide money to help states buy new voting machines. The version of the bill supported by Republicans would establish identification requirements for first time voters who registered by mail. Such voters would have to present a photo identification such as a Driver’s License or a Social Security card before being permitted to vote. Democrats supported a version of the bill requiring only a signature on a form at the polls. Democrats said proposed requirements by Republicans could discourage participation by blacks and Hispanic Americans. Both versions of the bill would require states to maintain computerized lists of registered voters. Also, voters would have to have a way to verify selections, change their ballots and to correct errors, and voting places must be accessible to people with disabilities. Republicans and Democrats disagree greatly over how to enforce new standards. Republicans would like the responsibility to lie solely with the Justice Department, while Democrats want individuals and civil rights groups to be able to file suits to halt violations. It is a scary thought that our government can’t agree on a simple issue such as voting. This is the kind of rhetoric that creates distrust of the government. If I go to Wal-Mart and purchase an oil change, I am handed a portable computer on which I choose the type of oil I would like, additions to the service, and I us...

Definition and Examples of Logographs

Definition and Examples of Logographs A  logograph is a  letter, symbol, or sign used to represent a word or phrase. Adjective: logographic. Also known as a logogram. The following logographs are available on most alphabetic keyboards: $,  Ã‚ £,  Ã‚ §, , , %, , and -. In addition, the single-digit Arabic number symbols (0,1,2,3,4,5,6,7,8,9) are logographic symbols. The best-known examples of a logographic writing system are Chinese and Japanese. Though originally derived from ideographs, the symbols of these languages now stand for words and syllables and do not refer directly to concepts or things (David Crystal,  The Penguin Encyclopedia, 2004). Etymology:  From the Greek, word writingPronunciation:  LO-go-graf Examples and Observations English doesnt have many logographs. Here are a few: %  £ We would read those as and, per cent, at, and pound. And in maths we have several more, such as the signs for minus, multiplied by, divided by, and square root of. Quite a few of the special signs in chemistry and physics are logographs, too.Some languages consist entirely of logographs. Chinese is the best known. Its possible to write Chinese with an alphabet like the one we use for English, but the traditional way of writing the language is to use logographs- though theyre usually called characters when we talk about Chinese.(David Crystal, A Little Book of Language. Yale University Press, 2010) Logographs in English Logographs are used in many languages, including English. When the symbol [2] is used to represent the word two in English, it is being used as a logograph. The fact that it can also be used to represent the number deux two in French and the number mbili two in Shinzwani means that, although the same sign can be used as a logograph in different languages, the way it is pronounced can be different, depending on the language in which it is functioning as a logograph. Another sign that is used as a logograph in a lot of different languages is the []. In contemporary English, it has come to mean at and is used as part of an Internet address. It works comfortably in English to say myname-at-myinternetaddress, but this doesnt work as well in some other languages.(Harriet Joseph Ottenheimer, The Anthropology of Language: An Introduction to Linguistic Anthropology, 2nd ed. Cengage, 2009) Logographs in Texting What novelty there is in texting lies chiefly in the way it takes further some of the processes used in the past. . . . There are no less than four processes combined in iowan2bwu I only want to be with you: full word an initialism a shortened word two logograms an initialism a logogram.(David Crystal, 2b or not 2b? The Guardian [UK], July 5, 2008) Processing Logographs Whereas earlier studies had indicated that  logographs are  processed by the right and alphabets by the left hemisphere of the brain, [Rumjahn] Hoosain provides more recent data suggesting that both are processed in the left, though possibly in different areas of the left. (Insup Taylor and David R.  Olson, Introduction to  Scripts and Literacy: Reading and Learning to Read Alphabets, Syllabaries, and Characters. Springer, 1995)

Literature review Essay Example | Topics and Well Written Essays - 1500 words - 3

Literature review - Essay Example Geologic, fossil and ecological records have provided the evidence for the variable nature of the climate whose occurrence in the past has caused the evolution of various eco systems of the earth (Emmanuel, W.R, Stughart, H.H, Stevenson, M, 1985, p.29-43). The change caused in the precipitation rate which is one of the resultant effects of the climate change is expected to affect the interaction between the checker spot butterfly larvae and its host plant. This reason when coupled with the disturbance of the habitat of the butterfly would aggregate the problem when it is observed in relation with the dispersal ability of the species. The study was taken with the hypothesis that extinctions of two populations of the checkerspot butterfly, Euphydryas editha bayensis, were caused by a combination of habitat loss and regional climate change in the form of increasing variability in precipitation (McLaughlin et.al, 2002). Euphydryas editha bayensis is a beautiful and charismatic butterfly species which is a resident species of Western North America. (Dyke, F.V, 2008,p.128). Taylor, K. E. and Penner, J. E. (1994, pp. 734 – 737) has described the major cause of climate change as man made carbon and other Green House Gas emissions in addition to the natural changes in climate. Several detrimental effects like Sea-level rise, Hurricanes, Diseases, Famines, Desertification and Species loss has been pointed out as the impacts of climate change.(Morris, Julian 1997,p.5-17). Though this study had only general indications towards the impact of climate change on species loss, this indication has been reiterated by a number of literatures which state that climate change would affect the population of animal and plant species. Christina Figueres & Maria Ivanova (2002,p.205) has argued that climate change would affect the major components of our biosphere including air, the ocean, the range of animal and plant species and the climate system itself. A study by J. B. Hughes,

Communication Essay Example | Topics and Well Written Essays - 1500 words - 8

Communication - Essay Example Finally I analyzed how clearly did the two men speak and what effect their clarity had on the overall speech and the message they were trying to convey. By analyzing the two speeches there were number things that I was able to understand. Analyzing the two speeches required me to utilize my observational skills to assess the type of expressions that president Obama and Lt. General David Morrison portrayed while delivering their respective speeches. A speech has little to do with words and has more to do with the manner in which message of the speech is conducted. The manner in which Morrison delivered his speech was firm, whereas Obama’s manner delivered it in a manner that displayed immense sorrow for individuals that had lost their lives. Such gestures are non-verbal gestures that I learned to quickly pick up. Another thing that I learned from analyzing the two speeches understood the reaction or their emotions from the clarity in their voice and how easily it was for them to speak out words of the speech. While working on the article analysis I worked on was to gather information regarding the current method that has been employed by airline companies regarding communication systems being used in emergencies. I initially obtained information of the internet, which required a great deal of research skills. Using the internet I was able to obtain a great deal of information, however a great deal of this information was either irrelevant or was outdated. I filtered the information that was needed and then organized it in a presentable manner. In order to obtain information in a greater depth I discussed the article with a number of individuals that had experience with the field. Before contacting these individuals I developed a set of questions that was directed at obtaining information in much greater detail. I later compiled the answers I got